1 00:00:00,640 --> 00:00:06,960 hello so this little video of a dog uh supposedly\h being rescued from an oncoming train has got kind\h\h 2 00:00:06,960 --> 00:00:12,480 of popular it is a fake video and there's a number\h of ways we can tell it's fake and i'm going to go\h\h 3 00:00:12,480 --> 00:00:17,120 through them. But you know first of all something\h uh that's pretty common in fake videos is this\h\h 4 00:00:17,120 --> 00:00:21,680 ridiculously shaky camera i just look at it kind\h of wobbling all over the place like i don't know\h\h 5 00:00:21,680 --> 00:00:27,120 what's supposed to be going on there. But you know\h the the way the reason is wobbly is the the camera\h\h 6 00:00:27,120 --> 00:00:32,000 was originally probably done on a tripod so they\h can composite two shots and then they have to add\h\h 7 00:00:32,000 --> 00:00:38,960 the wobble later and so it ends up looking like\h this ridiculously uh weirdly wobble sinusoidal\h\h 8 00:00:38,960 --> 00:00:45,920 thing. But yeah there's other reasons we can tell\h it's fake and it kind of all boils down to shadows\h\h 9 00:00:45,920 --> 00:00:52,640 because this is if we didn't have these shadow\h clues it would be fairly uh convincing but we do\h\h 10 00:00:52,640 --> 00:00:59,600 and this is something another person pointed out\h there was let's see this guy here professor farid\h\h 11 00:00:59,600 --> 00:01:04,640 did this shadow analysis showing the directions\h of the shadow it doesn't seem to match up with the\h\h 12 00:01:04,640 --> 00:01:10,320 guy in the dog now this is actually a little hard\h to do because there's a a ditch there and so it's\h\h 13 00:01:10,320 --> 00:01:15,920 you did you're not you're not projected onto flat\h ground so it's a little difficult to get exactly\h\h 14 00:01:15,920 --> 00:01:20,720 the same things but there's a much simpler way\h of doing it actually much simpler way of showing\h\h 15 00:01:20,720 --> 00:01:28,640 that it's fake now uh the first thing is if we zip\h back to the start we can see yeah before he does\h\h 16 00:01:28,640 --> 00:01:34,880 this little cut to zoom in that there's this\h shadow right here which is the shadow of this\h\h 17 00:01:34,880 --> 00:01:41,840 uh some lamp over here now this is a shadow here\h this is a shadow of a rock that's there so this\h\h 18 00:01:41,840 --> 00:01:46,560 shadow isn't going to move as the sun moves this\h is a shadow of a lamp and as the sun moves around\h\h 19 00:01:46,560 --> 00:01:54,160 this will move around so i'm just going to let's\h see i'll just take a little copy of that area for\h\h 20 00:01:54,160 --> 00:02:00,320 now and then let's move forward now you'll see\h he does this little zoom in here he zooms in to\h\h 21 00:02:00,320 --> 00:02:04,800 see the train coming around the bend but this\h actually gives him the opportunity to do a cut\h\h 22 00:02:04,800 --> 00:02:11,600 if he didn't do that zoom you would see the shadow\h pop now if i zoom in again here you will see\h\h 23 00:02:12,160 --> 00:02:17,920 that uh this shadow has moved it's moved in this\h direction it's moved away so this gap between\h\h 24 00:02:17,920 --> 00:02:26,400 the two is bigger now i can demonstrate that by\h simply taking the clip i did earlier and create\h\h 25 00:02:26,400 --> 00:02:35,920 a new file and paste in that clip now i'm going\h to go back and i'm going to go forward to where\h\h 26 00:02:35,920 --> 00:02:42,880 the train is coming around the bend and i'm going\h to do a similar uh clip around there copy that\h\h 27 00:02:43,600 --> 00:02:53,520 and paste that over the top of this now make the\h top layer transparent so i can line up the shadow 28 00:02:57,840 --> 00:03:02,160 now we can see if i flip between these two layers\h the one with the man we see that the shadow is\h\h 29 00:03:02,160 --> 00:03:07,200 close to this rock and the one with the train the\h shadow is much further away and obviously the sun\h\h 30 00:03:07,200 --> 00:03:12,160 hasn't moved that much in a few seconds so this\h is two separate shots and that in itself kind\h\h 31 00:03:12,160 --> 00:03:17,600 of debunks it but we may as well keep going and\h look at what else is going on here another thing\h\h 32 00:03:17,600 --> 00:03:22,000 that's very hard to do with shadows is if you\h have something casting a shadow then something\h\h 33 00:03:22,000 --> 00:03:27,920 else comes along and obscures that object and\h the shadow behind it now you've got two shadows\h\h 34 00:03:27,920 --> 00:03:33,120 and if you're trying to composite the actual\h guy in you've got to kind of remove his shadow\h\h 35 00:03:33,680 --> 00:03:39,440 and this doesn't happen here you'll see that when\h when we get close when the train gets close to him\h\h 36 00:03:40,160 --> 00:03:47,120 you see he's lying down here and he kind of lifts\h up his head and you see a shadow underneath so you\h\h 37 00:03:47,120 --> 00:03:52,880 see this little shadow here of his head as you\h go up problem is that shadow should not exist\h\h 38 00:03:53,440 --> 00:03:59,120 because what we have here is a train obscuring\h everything now if something's casting a shadow and\h\h 39 00:03:59,120 --> 00:04:04,480 we move something in front of it that obscures\h the shadow like here i'm moving this uh this\h\h 40 00:04:04,480 --> 00:04:11,920 cardboard here you'll see there is no shadow under\h this this model's head so that's yet another way\h\h 41 00:04:11,920 --> 00:04:18,000 that we can see that there is there's nothing\h else going on you can also see that in this\h\h 42 00:04:18,560 --> 00:04:24,960 scene uh we have this shadow here over what looks\h like a tree or something but when the train comes\h\h 43 00:04:24,960 --> 00:04:30,880 along it's still there you can see the edge of\h that shadow there which again shouldn't be there\h\h 44 00:04:30,880 --> 00:04:36,320 so we shouldn't have any shadow and i duplicate\h that here with the shadow of a little table\h\h 45 00:04:36,960 --> 00:04:42,960 when the card comes along no shadow is visible\h whatsoever no shadow visible here so again that\h\h 46 00:04:42,960 --> 00:04:49,040 shows that it's uh not actually possible now an\h interesting thing with this particular setup here\h\h 47 00:04:49,040 --> 00:04:55,440 i cut this notch in to simulate the gap between\h the train cars and you'll see when it goes over\h\h 48 00:04:55,440 --> 00:05:03,200 the guy's head right here you will see that\h the line does not cut through his head because\h\h 49 00:05:03,200 --> 00:05:09,200 his head is in a different position in fact it\h comes over a little bit later and you see that\h\h 50 00:05:09,200 --> 00:05:15,280 uh in this if you look at this bush over here you\h kind of see a similar type of effect you see the\h\h 51 00:05:15,280 --> 00:05:23,040 uh line there but the the bit of the bush that's\h illuminated pops into at a different angle and\h\h 52 00:05:23,040 --> 00:05:28,240 you see this uh throughout the the background here\h you see there's gonna bits of grass pop in and out\h\h 53 00:05:29,040 --> 00:05:34,000 then when it comes to his head you'll see that\h the line actually goes straight through his head\h\h 54 00:05:34,000 --> 00:05:36,560 which it shouldn't actually do\h it should actually be kind of\h\h 55 00:05:37,520 --> 00:05:42,880 on one side or the other depending on the angle\h of the sun and again you can see this shadow here\h\h 56 00:05:44,000 --> 00:05:49,280 and the shadow is still there so it's\h fake about uh four different ways\h\h 57 00:05:51,280 --> 00:05:56,480 it's a a reasonably well done video though\h another thing you can notice actually is\h\h 58 00:05:56,480 --> 00:06:01,920 that when you zoom into this area here when\h the train's kind of getting close you notice\h\h 59 00:06:01,920 --> 00:06:07,360 everything around here get all kind of fuzzy\h and blurry and kind of dark before the train\h\h 60 00:06:07,360 --> 00:06:12,160 even gets there and i think that's just because\h they had to kind of blur things out because there\h\h 61 00:06:12,160 --> 00:06:17,840 was so much going on shadows are tricky you want\h to shoot these these fake things on an overcast\h\h